Tuesday, April 21, 2009

MEETING ANNOUNCEMENT: from Betty Lehnus

Hello chapter members!

I'd like to ask everbody who will be at our next meeting to bring their pencils -- especially any water-color pencils they may have -- I'll be doing a demo of how the Yupo paper+color+plastic wrap works and you'll be able to experiment with small samples I will have prepared.
-Betty-


Looking forward to seeing you all there!

Monday, April 13, 2009

Member: Betty Lehnus

Betty Lehnus recently contacted CPSA Founder, Vera Curnow, to discuss some of her thoughts about working with colored pencils. At her request, here is that discussion to share with our group:

Betty Lehnus to Vera Curnow:
I've just finished realing Alyona Nickelsen's Colored Pencil Painting Bible. It's filled with solid advice and information, esp. about how to make good use of digital tools. But, as with almost every publication about colored pencil, the working assumption is that a very tight, nearly photo-real approach is what we are all looking for. I'd love to see an exploration of abstract, semi-abstract or simply "loose" cp techniques and work in To the Point. Surely as artists we don't want to limit our work/goals to one approach!
Betty Lehnus
CPSA Chapter 219
Albuquerque New Mexico


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Vera's Response:
I'm with you, Betty. This has been one of my contentions since the conception of CPSA. I'll be on the look out for the types of work you suggested for inclusion in TTP. I'll look to find something/someone to publish for this Fall issue.

As for books more open to the edgy, creative side of colored pencil, I'm afraid publishers like North Light and Watson-Guptil are looking for universally appealing works & techniques that will interest the masses. They have pigeon-holed our medium. (Deep Sigh.)

Thanks for writing, Betty. We are kindred spirits. I'm glad you "rattled my cage" on this subject.
Best regards,
Vera
Vera Curnow, Founder
Colored Pencil Society of America

Saturday, April 11, 2009

SPECIAL BEN-O-GRAM: APRIL '09






Hi members! We have more details about our next show. We hope you're already working on some new pieces because we need YOU to contribute to our success! The show will run from May 13 through May 31. The opening reception will be on Friday, May 15 from 5 -8 pm. (You betta be there!)

• The Wooden Cow Gallery is in the Mossman Center at 7400 Montgomery Blvd.
• Drop off entries from -- Wed to Sat: May 6th, 7th, 8th, or 9th -- between 11am and 7pm.
• Artwork must be framed, matted and ready to hang by wire.
• Inventory sheet and release form to be filled out when you drop work off.

There is no theme except it be colored pencil and there is no limit to number of pieces.
(My concern is not that there will be too much but too few. Make me wrong!)

The gallery reserves the right to reject any piece for any reason.
All work should be for sale, but a few pieces NFS will be allowed.
Commission is only 25% (THIS IS A BARGAIN!)
You can pick up postcard adversivements at the gallery after this week. Call at 505-999-1280 to be sure.
Check out the gallery at www.woodencow.com
Work must be picked up after the show, but before June 13. (?)

Many, many thanks to Wendell Unzicker for offering us this opportunity.

So, please, don't let us down!
--Ben--

Saturday, March 28, 2009

MEETING 3/28/09: Color Theory & Colored Pencils

Our meeting for this month brought members Ben & Lee Nurry in to present and demonstrate several experiments in color theory using specific colors (Yellow, Blue, & Magenta) to achieve some dramatic effects such as Mixing colors on the color wheel and mixing colors for shading (using compliments). Lee & Ben came prepared with some great handouts for everyone to experiment with. The extra hour really helped out too - plenty of time to play and talk!

First we started to create our own color wheels, using the blue, magenta and yellow to mix secondary colors (and tertiary, if we had time!). I highly recommend this for everyone that loves working in colored pencils, as it gives you a real understanding of how to layer and mix your colors while working on your paintings. It can be a tedious exercise, but as you work through it, you develop a method that works for you and your individual style and will quickly become second nature in your creative process.

We also worked at creating new colors using only the three primaries with a simple punched paper technique to help us really focus in on the target color (Brown in the example).

Finally, discussed the best ways to achieve shading without using blacks or grays - which is to say, using complimentary colors. As an example, Ben provided us with a still life reference of oranges and encouraged us to recreate one of the oranges using just an orange pencil, and it's compliment, blue. I confess, I used the orange pencil and all three primaries - Magenta, Yellow & Blue - along with a little white to complete my experiment (pictured).





On a side note, back in college, I took a color theory class and my instructor, Edie Fisner, went on to publish a book on her course. Thanks to her I got some great 'basic training' when I was first starting to use colored pencil to complete my various works - it gave me a great foundation for future projects, and I realize now, just how much I've taken it for granted. Edie used student work to illustrate many concepts in her book - and two pieces from my class work were included, which were executed in colored pencil.

Thursday, February 26, 2009

Commercial Sharpeners: A Comparison

I recently decided to test a few commercial sharpeners which were all perchased through Dick Blick Artist Materials online.
Pictures below are the three I started with:

Dahle Chubby Pencil Sharpener $2.83
Helix Hand-Held Pencil Sharpener $1.29
Prismacolor Colored Pencil Sharpener $2.68

•As you can see, the Prismacolor Sharpener created the best point. The other two left the left lead with ridges and or cracks. I haven't fully tested any of the over time, so so far I am impressed with the Prima Color - and I was skeptical.














•As for functionality and shape, while the Prismacolor is a sleek space age shape, which great for travel/portability - I feel the fact that both ends 'pop' open could lead to a potential mess if you accidentally open the wrong end without paying attention or it bumps up against something.
•The Helix is pretty standard, and on the large side so you won't have to empty it as often. The twist top guarantees that the top won't accidentally pop off.
•The Dahle Chubby is also on the larger side, but is probably the least practical for portability given it's bulbous shape.

Hope this helps!
from DC219 member, melinda beavers

CALL FOR ENTRIES: Miniatures

We HOPE, HOPE, HOPE that you’re already working on some miniatures for MasterWorks. This is the ONLY MAJOR art show in Albuquerque where colored pencil has its very own category. Because we have been successful in getting a minimum of 20 entries juried in (23 in ’06,32 in ’07, 36 in ’08), we can qualify for our own cash awards (1st, 2nd, 3rd, H.M.) Don’t let CPSA 219 down! In the mail, I’m sending each member a prospectus for miniatures. If you don’t get one (or have any questions) call me at 291-5871 of lbnurry@comcast.net.

There is also going to be a miniature workshop during the show. Those of us who’ve taken it have found it quite valuable. Look for it in the prospectus. It’s 3 days for $150 or 1 day for $50 and you MUST signup for Margy O’Brien (Apr. 16). She’s a International-Award-Winning miniaturist who works in Colored Pencil. You’ll get a lot from her!

Friday, February 20, 2009

BEN-O-GRAM: February '09

Hi Folks! We have a GREAT meeting coming!
WHEN: SATURDAY, Feb. 28 at 1:00 PM(after this, we start at NOON).
WHERE: Room 5, Bear Canyon Senior Center.
We’ll be viewing the colored pencil pictures from the last National CPSA Show. What a great opportunity to get ideas for you next artwork. This has always been a highlight program.
*And, if you’ve finished any art trading cards, we have time for some swapping.

KUDOS: Our supermember, Barbara Nahler, is currently showing at The First Unitarian Church, Commanche and Carlisle. She’s one in the two-artist show.
If you’ve not seen her unique work, you just gotta go there! Call the church at 884-1801 for the best times to visit.

LOOKING AHEAD: Start thinking about (and hopefully, working on) what you are going to enter in our upcoming show at The Art Center at Fuller Lodge in Los Alamos in NOVEMBER (not very far away).

See you at the meeting!
Ben Nurry